The Gag Order Came off and So did the Gloves – The Steampunk’d Cast Didn’t Pull Any Punches at their SPWF Tell-All

It took me a while to write this article. Not just because of losing access to my computer right after Steampunk World’s Fair, but also because I didn’t know precisely how to tell this story. In general, I like to focus on the positive in my articles. I quickly realized this Steampunk’d piece simply couldn’t add a wholly positive spin and still tell the truth.

Steampunk Eddie won the competition, but did not attend the panel after the Maker Challenge. (Update: one commenter says he was at an interview at the time. Eddie did not comment on his whereabouts in his follow up article.) Many of the stories and insights shared at the panel turned out to be new, even for the cast members. The contestants and judge present all had a lot of anger and frustration they kept pent up while under contract. When it came time to release it all, it came out next to scalding. The booze started flowing freely for many hours before the Tell-All even began, which I am sure contributed to the fire. Not that I blamed them. From the sound of it, if anyone deserved a drink, it was these folks.

At the Panel:

On the Spot

The cast had other Q&A sessions during the weekend. This one came later and followed the “Maker Challenge,” a 2-hour event where they competed just like on the show. Things had already started to get goofy even before they selected their object to punk, and the energy never came down again. When I ran into Karianne Gottschalk a few months later at Motor City Steam Con, she told me I had definitely gone to the most interesting of their panels. She agreed they were cutting loose by then much more than earlier in the weekend.

You could really feel a sense of camaraderie in the room. There was just a hint of tension during the Maker Challenge when a mild prank or two was perpetrated. But generally, everyone seemed happy to see each other. It reminded me a lot of when I was part of a play and we finally made it to the cast party. These were people who had suffered, survived, and created in the trenches, and it had brought them together. (Well, maybe not everyone…but keep reading for the juicy stuff.)

Life on Set

Being on television sounds glamorous. In reality, their time was not only uncomfortable, it was downright exploitative. The cast told story after story about their terrible treatment during the show. Some restrictions, such as access to news media during the taping, make sense. But in addition to having zero access to any sort of entertainment, they were not allowed to interact with each other unless the cameras were rolling. This meant literally hours of standing around in awkward silence, sometimes when they were under deadline.

Every night, they were locked in their own hotel rooms, reportedly to make sure they didn’t sneak out to strategize. You heard me right, they didn’t even get a key to their own room. Apparently, game shows go to great lengths to make sure that contestants don’t get a chance to form alliances. Add this level of isolation to being completely cut off from your friends and family during filming. The loneliness became hard to bear for many contestants.

Rumors had it that it was so hard for Ave, in fact, that I’m told she smuggled her husband into the hotel. The couple lived locally, and hubby-dearest donned drag to get in and out of the hotel undetected. Ave thinks the story is funny, but says it is nothing more than a rumor. Either way, it’s fun to picture smuggling a drag queen in and out of a hotel!

See you Latte!

On other reality shows, alcohol always seems to be free-flowing, but the Steampunk’d cast were lucky to decent get food at decent hours. COFFEE was rarely even provided. Now that is just cruel and unusual punishment! This insight led to a delightful aside about a time on set about judge Thomas Willeford. He was clueless about the poor conditions for the cast, and berated an intern for his cold latte in front of them all. They could laugh about it now, but clearly at the time it was anything but funny.

(Update: Apologies. Your reporter made a boo-boo on this one. I included the anecdote to show Willeford was not being insensitive to the experience of the cast, rather that he did not know about what it was like for them until later. Apparently, the latte story is to some extent fabricated, but when watching the panel I misunderstood this aspect of the story. My intent was to share a anecdote that made the panelists laugh during Steampunk Worlds Fair. I meant no offense.)

Missing the Mark

Amenities aside, there was also plenty going on behind the curtain that turned them all sour. Clearly, the producers didn’t have a clue about Steampunk. Or what it would take to accomplish the tasks they were asking them to do. At auditions, the two dozen potential contestants all sat together at breakfast, baffling the producers. They spent all morning and fanboying and -girling over each other’s work. Many of them were already friends, or had admired each other’s creations from afar. They were excited to see what everyone was going to do, not fired up to crush the competition. The show’s creators missed the part where Steampunk is a COMMUNITY, and one of the most supportive fan communities, to boot.

They also briefly touched on their disgust over how the cameras would keep rolling even if someone needed help. This isn’t unique to this set, but it was an aspect of reality TV that really turned off the cast.

A Silk Purse from a Sow’s Ear

When it came time to step up to the challenge, the supplies at the audition were woefully inadequate. The potential contestants had to share the pile of supplies and upcycle something so it looked Steampunk…with only one can of metallic paint. There were day-glow orange and pink fabric, but where was the leather? Where were the machines and clocks to take apart? The scrap yard for the show was a massive improvement, but paint and other integral supplies continued to be a major issue throughout the competition. (Due at least in part to some sabotage, but more on that to come.)

I was surprised to learn that the creators also had much less time than it appeared. Two to three days already seemed like a ridiculously short amount of time! But in the course of those days, the contestants were only allowed to work during very limited hours. And those precious hours were constantly being interrupted. Regularly throughout the build, it was time to do an interview. These asides were often about something that had occurred weeks before. This could keep you away from fifteen minutes to hours. Not to mention interrupting your creative flow.

Damn the Man

If fear is the mind killer, stress is the soul sucker. Nothing is quite as exhausting as living your life with the background radiation of pressure. Of course, the show was meant to be a competition and there is some stress in anything like that. But it’s seems clear to me they were being asked to do far too much with far too little. In addition to physical reactions, such as Ave’s collapse during Episode 2, the mental fatigue brought on by Steampunk’d meant that the contestants began clamoring to leave. Several admitted to going out of their way to perform poorly in the hopes they would be sent home and the torture would end.

The only problem? It didn’t work.

Karianne Gottschalk told me that a prop that got her MVP status one week had been a deliberate attempt at self-sabotage. Imagine her confusion when she was not only kept that episode, but rewarded for what she believed was blatantly poor craftsmanship. It just didn’t add up.

An audience member asked the cast if they believed the producers had a pre-determined “schedule” for kicking people off. Tobias McCurry said he didn’t know if they had intended to get rid of him early, but he wasn’t at all surprised. Even in the span of filming one episode, he’d already made a point of being a thorn in the side of the producers over the lack of supplies. Tayliss Forge also spoke up, saying she believed they definitely had some idea about who would be there for the long haul. Other contestants had been told to pack for eight judging appearances, Forge was specifically told only to bring four outfits. This was news to her fellow contestants, and they were all outraged on her behalf.


Was the Fix On?

To be clear, producers legally can’t tell the judges who to choose. But they control every aspect of what the judges see. They choose which clips to show them, and decide when to let them speak to the contestants. (Which remember, is only when the cameras are rolling and they are surrounded.) They also had an earpiece for each judge and they often gave them lines to say. Though they didn’t always cooperate. Willeford said he refused to play parrot more than once, and if he had been given the full story, he definitely would have made different decisions some weeks.

A Rebellion Squashed

The struggle between the cast and the producers came to a head after James Neathery went home on Episode 3. Neathery said at the Tell-All he was ready to go home, but the remaining cast members were outraged at the time. It was clear to anyone who had been in the thick of it that Miss Morgan was the obvious choice. Not least of which because of her condescending attitude about Steampunk and its fans. According to several cast members, she said early on, “I’ll have to dumb down what I do for all the Steampunks out there.” She apparently had also never heard the word before signing up for auditions. Which begs the question, why was Miss Morgan even there and how did she make it to the finals?

When she wasn’t cut, several cast members threatened to quit. They believed the game was being manipulated by the producers, and it’s hard to argue with their logic. GSN brought out their army of lawyers and stopped the rebellion, reminding the cast that they had basically signed their lives away. But from then on, the whole experience continued to deteriorate week to week. Viewership dropped off starkly after Week 3, so it’s no real surprise there aren’t any plans for a Steampunk’d Season 2 in the works.

How do you Solve a Problem like Miss Morgan?

On a show like Steampunk’d there are plenty of small rules, but there are three big ones that automatically boot you from the show.

  1. No physical altercations with cast, judges, or staff.
  2. No hoarding supplies.
  3. Don’t sabotage the other contestant’s work.

According to the cast, Miss Morgan broke them all and never suffered any consequences.

Not only did she give a fellow cast member a sharp knuckle jab to the shoulder and keep a vat of pilfered paint below her work table, she absolutely attempted to sabotage Steampunk Eddie in the finale. Neathery had returned for the finale and was working on a pipe organ, the centerpiece for Eddie’s project. While Eddie had stepped away, Morgan went to the organ and splattered it with red paint.

You’d have thought they would have brought over Eddie to film the fireworks. Instead, they whisked him off for an interview so the damage could be repainted and he’d never know the truth. Steampunk Eddie opted out of the tell-all session, so I don’t know if he knows what really happened even now. The incident received no public attention, despite the fact that it should have meant an immediate disqualification from the finals. The cast members agreed that this simply confirmed Morgan had been planted. As far as they knew, no one but Willeford has had any contact with her post-production.


What Else Does the Cast Wish you had Seen?

Plenty of footage ended up on the cutting room floor, and the cast members had some moments they really wished had been shared.

For instance, Gottschalk and Willeford had a real heart-to-heart during a judge walk-through, and no one ever saw it. They both felt like it was an important conversation for them as human beings. But apparently it didn’t make good enough television. Instead, the show makers decided to make it look like Gottschalk was seeking a romantic relationship with fellow cast member, Charles Mason. Both of them were mortified when the show aired and portrayed their friendship in this light, especially because both are in committed relationships.

Gottschalk was especially frustrated because their goofy, happy friendship was not the anomaly the editors made it out to be. Everyone was laughing and joking when they got the chance. But the love most of the cast had for each other never had an opportunity to shine for the audience.

Lessons Learned

Which of course, brings up back to the Game Show Network producers, and by how far they missed their mark. When Steampunk’d was first announced, most Steampunk fans were really excited, but many were also wary. Steampunk walks a very fine line between being accessible and “selling out.” A big name like the Game Show Network certainly had the resources to help get Steampunk in front of more people. At the same time, many fans feared for what this type of corporate treatment could do to this thing we love.

On one hand, the low viewership and cancellation are a bummer. A Steampunk-themed reality show focused on makers is a great concept, and I always say ‘the more the merrier’ when it comes to attracting new fans. On the other hand, if what GSN was willing to put out there wasn’t honest, either to the fans or to the contestants, why would we want more of the same?

An audience member asked what the cast would like to see in any future Steampunk reality show. They could all agree on one main thing, more time! The show’s creators didn’t have any idea the level of craftsmanship involved in Steampunk. So, they didn’t provide enough time for these talented people to show off what they really could do. The contestants also agreed that if they had been doing something for the sake of charity rather than personal gain, it would have felt much more authentic to what Steampunk means to them.

What about you?

If you could design your own Steampunk television show or competition, what would it look like? Did you have a favorite moment from the show you want to share? Leave us a comment below.



26 thoughts on “The Gag Order Came off and So did the Gloves – The Steampunk’d Cast Didn’t Pull Any Punches at their SPWF Tell-All

  1. Miss Morgan was more talented than all but Eddie. Every other cast member seems so petty and jealous. I guarantee Morgan didn’t knuckle jab anyone or sabotage Eddie…he liked her and she liked him. Ave should have been cut earlier on…fabric glue and the same movement from her creations early on and her fake drama made many viewers leave. Tayliss was terrible too. A new season should require more Eddie’s and Morgan’s…you know, people with talent.

    1. The only cast members whose work I have personally seen up close are the people who were at the panel. I felt there was a lot of talent all around, but one of the things about Steampunk that is both beautiful and hard to pin down is the wide range of skills people can have and be working within the same oeuvre. There is a philosophical split as well about upcycling vs. from scratch construction in the community at large, and that alone represents a big difference in skillset. I would be interested to hear what Morgan had to say on the subject, but without she or Eddie on site, we were limited to the opinions of those who attended the panel for this article. If Morgan or Eddie wanted to tell a different story, I’d be happy to listen! Thanks for reading! 🙂

  2. Was Morgan interviewed for this article? Kind of hard to believe the word of the people that were kicked off the show.

    1. It is in the contract of the other cast members that Miss Morgan is not allowed to appear at the same events, so we were unable to interview her for the article. It sounds like she’s gone pretty under ground, and wasn’t actually part of the community much to start with, so she is doing her own thing. For so many of them to report the same practices (hoarding paint, sabotage) it does lend more weight to the allegations than a single panelist would have.

  3. I think it’d be nice to see a kind of tournament setup for a steam punk show. Start out with like 16 makers, and have them face off in pairs. BUT! Because steam punk is a community, the people who lose don’t get eliminated, they are sent to The Bull Pen,where they can be selected as teammates for future rounds, the challenges of which will become more and more intense! The teams compete makes it thru the bracket and win!

  4. If I could design a steampunk contest show, it would be more like Heros of Cosplay meets Biker Build-off.
    Have the contestants design an outfit, complete with accessories and weapons or tools or whathaveyou, according to a certain theme within steampunk (disel-punk, clock-punk, ect) or a general theme (superhero, japanima, videogame, ect) with a different theme each week or two depending on schedule.
    At the end of each cycle, they will have to display their design at a steampunk event. Their, they will compete in the costume contest at each event not only with each other but also the other people at the event.
    Afterwards, they will go before the judges (just the ones on the show) for the shows judging. At each event, one of the local judges will sit on the show panel.
    Also, at the event, the public could vote for their favorite for a “people’s choice” award.

  5. I really liked the show, even though I not a maker, just a fan of steampunk. Its sad to read some of what happened on it. Even so, I’d watch a second season.

    As for designing my own show, I think I’d pattern it off of “Forged in Fire”, another show I like:
    1) 4 contestants. First part of show is they are given a task (and great supplies!) to make a specific object within a time frame, say 4-6 hours.
    2) At the end of that time, 1 is eliminated. The remaining 3 are given 2-4 hours to fix/improve/redo the item.
    3) At the end of that time, 1 is eliminated, giving the final 2.
    4) The final 2 have 1 week to go back to their home shops, and make a new/separate item, perhaps bigger than the first (whole outfit, big gun, etc), and the winner decided after that week.

    Another good format show was the Syfy “Cosplay Melee” – I thought that was a good show with a good format, a single theme for the entire show, one eliminated after the initial build, and the rest given awards to complete the theme later.

  6. Although I’m a huge fan of steampunk and a maker, I have to say that I was never interested in watching this show. I’m not a fan of “reality TV” to begin with, but this show just seemed so contrived, and to my mind, against the cooperative nature that is so much of the steampunk and making communities.

  7. You should talk to one of the producers like myself or any of the crew. There are so many inaccuracies in this story it’s hard to read. If you’d like to get some actual facts and hear from a very black and white perspective on what happened, I’d be happy to talk to you. -David

    1. The funniest thing is my story! I guess someone figured out that my husband is a drag queen and decided to fabricate a story based on that. Although they couldn’t explain how my husband would know my room number or how he would know when to come visit me when I had no phone. They took all our phones when we arrived and we had no phones in the hotel. After I was dropped off it was an hour or two before I was given my room number, so this story makes no sense. They take these sequestered rules very seriously because it’s federal law. And the show gave us coffee, sodas, water, juices and lots of other delicious food and snacks anytime we needed it.

      1. Hi Ave! Thanks for reading the article. I gave Eddie the chance to email me a few paragraphs about his experience, as well as the chance to talk about how he’d design a Steampunk maker reality show if he could call all the shots. I’d love to post a response article that includes the point of view of you two who weren’t there that day. 🙂 If you are interested, please email me at phoebe @ Have a splendid day!

  8. Wow! I was there and I don’t remember any of that! The producers and wranglers treated us like gold.To hear this makes it sound like we were in prison and we were abused. There are plenty of times I thought things were unfair especially when some contestant got caught cheating and still won the challenge. I’m sorry now I opted out of that panel.I’m not one for drama but would of defended the truth.

    Steampunk Eddie

    1. Hey Eddie! Thanks for reading 🙂 If you are interested in writing a paragraph or two about how your experience differed, or how you would design a Steampunk maker show if you had the chance, I am sure people would be very interested to hear about it! If you’d like to discuss further, please email me at phoebe @

    2. I find it curious that twice now a contestant has directly contradicted something written in this article, and both times the only response from the author is to ignore it and ask them to participate in another article. Why would they want to do that having seen this one?

      1. When people have such completely different opinions, I can’t do anything but offer them a chance to tell their story. If I defend the article, I am calling the commenter a liar. If I defend the differing opinion, I am accusing the people there that day of lying. As far as I knew, I was telling the truth. Eddie was glad for a chance to weigh in. Here are his comments if you’re interested.

  9. Miss Morgan indicates, in the course of her interview with Airship Ambassador, that she isn’t “into fandoms”. She says she got on the show because she’s friends with the casting people on Facebook, and never indicates that she was actually part of the Steampunk community before the show, other than to create custom costumes for clients. She’s been a professional clothing designer, costumer, and artist for 15 years. With that kind of background Miss Morgan would be well versed in researching a genre for production, which is what I believe she did when she was cast. That would also explain why she isn’t allowed to appear with the other cast members in panels and interviews after the show…viewers would find out she isn’t part of the tight knit Steampunk community, or even a real enthusiast. In her interviews with both Airship Ambassador, and Stephanie Kato, she talks about her business aspirations, work, and herself but only very generally or specifically in relation to the show. When you talk Steampunk with a serious fan the direction of the conversation is overwhelmingly Steampunk-centric, and love of the genre really shines through. I just didn’t get the same vibe from her interviews, or performance on the show.

  10. Before sharing a story, it is only fair to at least attempt to email all the characters in the story so that it is fair and balanced. You can’t just go by a few people said at a panel. Allowing them to talk poorly of others without giving the others a chance to defend themselves is just straight up defamation. You should know better.

    I am sure Missy Morgan “heard” of the word steampunk before entering into the contest, she has done some steampunk work before the show! And I don’t think she punched someone and cheated like you stated.

    1. I never claimed that this article was anything but the account of the people who were present that day at that event. I have since been in contact with Eddie and Ave, and I am giving them a chance to give their own accounts in a separate article later this week. Miss Morgan is welcome to be in contact with the Journal if she wants to be. I was under the impression that she wanted nothing to do with people connected to the show now that it is over. She had a successful career before the show, I am sure she will afterwards as well. It was a stressful and exhausting experience for everyone.

  11. Knowing Thomas Willeford for several years as I have for several years, I would take his word well over someone who had nothing to do with steampunk previous to the show.
    Willeford is a man of great integrity.

    1. Yes, I watched the show and attended the panel. Minus the oodles and oodles of f-bombs, this is more or less what was discussed at that session. But they had 3-4 over the course of the weekend, so they probably covered other topics at different panels.

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